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Monday, January 25, 2010

Film Editing - Book Review

Released October 2009

Page count: 195 pages

Size: 11” x 7”


Film Editing

(Text) By Gael Chandler

Published By Michael Wiese Productions


http://shop.mwp.com/products/film-editing


- This review is in a series running this week and next, leading up to the Oscar nominations on Feb. 2nd. The series includes a profile of 8 books relating to past and present films, as well as the filmmaking process. Check out these titles to get a better understanding of what goes into the art of film.

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Film Editing Book Review By Erin V.

Reading this book right before watching a movie might make you slightly more heightened to the editing, but when editing is done really well in a good movie, the film should hook you in regardless. Although some books close to 200 pages on one subject can be hard to read from cover to cover, this one is fascinating and the way that the information is presented (visually), gives you a perfect glimpse into the world of film editing.


Reading this book has certainly given me loads of new information and a real sense of appreciation for what editors do. This awards season, I will certainly be watching where the awards are going to in the editing sector, and have a better understanding of why.


I love the way that so many things that we take for granted in filmmaking are so intricately planned. Like it says in the book at one point, editing with it’s rhythms, is like music. It has to have the right balance of rhythm, pace, and sequence. And when done right, we can enjoy it without even realizing all of the parts are put together so perfectly to make the whole. And that’s wherein lies the secret beauty of film editing.

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To find out more about Film Editing, or other books, visit Michael Wiese Productions’ website here.

Interview: Film Critic Richard Crouse

By John C.


Last week I had an idea. The “brilliant and beloved” Richard Crouse, who has interviewed so many celebrities, would make a good subject for an interview. I posed this question to him last Thursday, asking if it would be okay to send over some questions. He gave me his phone number, and graciously said I could call. I spoke to him for just over 20 minutes this past Friday afternoon. .


We talked about everything from the genius of Pixar, to the brilliant state of family entertainment in 2009, and the pop culture phenomenon that is Avatar. He gave me his picks for the best and worst movies of last year, and told me what he would nominate for Best Picture if he had a ballot.


To the right is a picture of Richard wearing his awesome Mr. Fox "tail tie", (which we also briefly discussed)

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When did you start reviewing movies? Well, I started reviewing movies probably about 15 years ago. Before that I had written about music, and movies a little but mainly music.


And when did you know that’s what you wanted to do? When I first saw a film and realized ‘you know what? I liked that, but I think that they could have done this better’. And that was probably when I was about 5 years old. I grew up in a very small town in Nova Scotia, and they had a beautiful old movie theatre. Now the population of the town was only about 1500, and this place was built to be a grand opera house with space for 900, or so people. So often there were only like 10 or 15 other people in there, so it was like this really cavernous place. I was entranced by it, and we would often go a few times a week, but it was so far out of the way that often the selection playing would be far behind what was playing elsewhere, so one day you could be seeing a Bruce Lee movie, and the next a Russian art film, and the next Santa Claus Conquers The World, except in June. This gave me a broad appreciation for movies - as for the first one I saw, I don’t remember.


What were the best movies you saw in 2009? They were actually all kids movies this year, (or last year if you get technical). I feel that they really set the bar high. My favourites would have to be Up, Coraline, Fantastic Mr. Fox, The Princess and The Frog, and Where The Wild Things Are. Those are the ones that stand out for me. Another one would possibly be Avatar, which is living at the centre of pop culture right now as such a big movie, but 10 years I think I might look back on the phenomenon and of the year we will remember the kids movies the most.


That’s kind of what I feel about Avatar as well. It was visually stunning though. Absolutely, it was really an overwhelming experience to watch.


But the other films you mentioned will be more timeless. I think so. The Princess and The Frog was one that gives a good example of avoiding the trap that a lot of other animated kids films get into. When they think they must have jokes for adults, like pop culture references, mentioning Brittany Spears, etc., eventually, they will seem dated because of that. If you make classics, with good stories well told, then they will appeal to everyone at the very basic emotions. You have to trust that when you tell a good story, you don’t need to add all kinds of references in order to keep people interested.


And TPatF had a great soundtrack... Absolutely.


My next question for you today is, what were the worst movies you saw this past year? The worst movie was I Hope They Serve Beer in Hell. I think that it is not only worst of the year, but, and this may sound clichéd, but the worst certainly that I’ve seen as a professional. I felt like I was leaving a crime scene when I walked out of the theatre - a crime scene against entertainment. It was just really poorly made from top to bottom. I’m having a little trouble remembering some of the bad movies of last year. Just let me pull up a list. I’m currently writing an article about movies opening in April, so 2009 seems like a while ago.


Yeah, and the bad ones are the ones that you try not to remember. Right. So when did you start your website?


It was started in June, 2008 with a review of Get Smart. So was that a positive or a negative?


Fairly positive. That had The Rock in it, who I just finished reviewing in The Tooth Fairy.


Oh, I haven’t seen that one yet. Don’t bother, it’s terrible. Other ones that can be considered failures, are those that try to shoot the bar, but don’t attain it. Probably the ones I would really consider some of the worst movies are, when there are great movies like Mr. Fox, on the flip side there are films like Ice Age: Dawn of the Dinosaurs and Astro Boy, those are movies that, unlike something like Mr. Fox, treat kids like they’re stupid and can’t handle anything that isn’t goofy and shiny. And then there’s The Ugly Truth, that’s another movie that tried to put two appealing stars together in a premise that could have worked but just started rehashing, so could be considered one of the worst movies.


Especially when you look at a romantic comedy that really worked like (500) Days of Summer. Right, that one was really charming, interesting, and funny too. Joseph Gordon-Levitt should be an enormous star, I mean he’s already famous, and Zooey Deschanel, well, she should be my girlfriend.


What movies are are you most looking forward to in 2010? In 2010, there’s a movie called Kickass - the trailers look completely politically incorrect, like a 10 or 11 year old girl as a trained assassin, but I honestly think that the line ‘Good call, baby doll’, could become the new I’m Rick James, b****!.


And it looks hilarious. It does look hilarious.


Other ones that I’m curious about are the new Robin Hood remake, I mean Russell Crow has had some up’s and down’s, and then there’s Cate Blanchett as Maid Marion... And I’m also interested about Chris Nolan’s Inception - I mean the trailer looks amazing - and the description says it’s a sci-fi action film set within the architecture of the mind. Then there’s Greenberg, which is by the director of The Squid and the Whale, which I liked, and I’m interested to see more of a drama with Ben Stiller rather than a straight comedy and also it’s with Greta Gerwig. I'm curious to see whether she can make the leap to something that is a little bigger budget than usual.


Also, there’s I Love You Phillip Morris - I’m just really curious to see Jim Carrey and Ewen McGregor in that one, and Alice in Wonderland, which obviously we all know the story of, so it’s not for that, but I saw the props, and they are absolutely gorgeous, so it'll be a beautiful film. And then - I don't know when it's coming out, if it even is this year - the new ‘Three Stooges’ movie. I’ve heard different things, although at this point I think there’s talk that it will have Sean Penn, Jim Carrey, and Benicio Del Toro. But the interesting thing is that it's not a biography, it's actually a new Three Stooges movie.


And then there’s also Toy Story 3 coming out as well. What are your thoughts on that one? Well, to me, I think Pixar can do no wrong. They chose to make TS3 and these aren't people who need the money, or do something for the money, so if they’re doing it, then I’m sure they’ll make it cool or interesting.


What’s the coolest promotional item you’ve ever received? I don’t keep them all, since there’s only so much space, but as for DVD’s, I really liked the Planet of the Apes set, where all of the DVD’s are in a life-sized bust of Cornelius (one of the characters). It was stuffed with as many discs as could fit in the back of his head. Also, there was this Russian horror science fiction movie - and this was a few years ago - and it came with a little doll like creature with spider legs, a replica from the movie, that you can wind it up and it scurries around the floor. I actually have that right here.


What’s the most practical? The most practical are the clothes, since you can actually use them. T-shirts, hats, so that stuff’s pretty practical, and you also get lots of pens, which are always useful because I’m a writer, and I have gotten a lighter...


I remember seeing a picture of you wearing a Fantastic Mr. Fox tail tie... I love the tail tie, I wore the tail tie on Canada AM. I just thought it was a really cool promotional item, that was really unique to the film it was promoting. So I had some fun and wore it on TV.


Do you believe that 3D is the future of cinema? No. People right now are suggesting that the only way to make huge money is to make 3D movies. Avatar is a movie that is enhanced by the 3D, but if you tell a good story, then you can still succeed without it. The 3D in Avatar is beautiful, and I certainly don't object to 3D...


I haven’t, so I was wondering if you’ve seen Avatar in 2D? I haven’t, but my girlfriend saw it in Bangkok in 2D, and she was underwhelmed by it, so I don’t know how it will hold up in 2D.


Not like a film like Up...

...or Coraline.


What are your thoughts on Avatar and it’s Best Picture chances? Well you know, I wasn’t surprised that the Golden Globes gave it a Best Picture. It’s like how they were more apt to go with Robert Downey Jr., since they knew that he would give a funny, charming, engaging little speech. I don’t know whether or not the Academy will work by the same standards, The Hurt Locker is a superior movie, and if it won, it might get enough attention to get more eyes on it, since not as many people saw it as they should have. Also, it would be interesting to see Kathryn Bigelow and James Cameron, who are ex’s, go up against each other...


Do you think a film like, one of my favourites, Up, is secured a nomination for Best Picture, or do you think there will there be an upset come February 2nd? I don't know. I think that since they have 10, the only reason it wouldn’t be, would be because it’s animated. Certainly if you have a list with 10, its gotta be here.


What are your predictions for the Oscars? The only one to put money on is Jeff Bridges - I think it’s a lock. I think he’s a master, and Crazy Heart is some of his best work in a very long time.


...and The Weary Kind for Best Song... Yes, it has really good shot of getting it in. You know, the irony, is that it’s by Ryan Bingham, and Ryan Bingham is the name of the character in Up in the Air.


Right...


Next, what would you nominate for Best Picture if you had a ballot? If I had a ballot, I would probably nominate Up in the Air, Inglourious Basterds, all of the kids movies I’d mentioned as favourites before, The Hurt Locker, Avatar might be in there, (I don’t know if that’s 10 yet), and Tyson - in terms of a documentary it just really stood out.


It seems like with 10 nominations, what doesn’t get nominated? It feels that way. I read an article by Pete Hammond saying that Academy members are having trouble coming up with ten films to nominate. I find that ridiculous - they don’t want to recognize something that they call kids and genre movies. Star Trek could sneak in, but it’s a genre movie, aimed more at a younger audience, and some of the Academy voters who are older may not connect to it the same way.


There is the nostalgia factor with it though. Right, and it’s one of the best of the year.


So, is there anything else that you’d like to add before we wrap up? Keep reading film criticism. Find someone that you like to read, and continue reading them.


One Movie, Five Views thanks Richard Crouse for taking the time to do this interview.

Friday, January 22, 2010

Star Trek: The Art of the Film - Book Review

Released November 2009

Page count: 160 pages

Size: 9” x 12”


Star Trek: The Art of the Film

(Text) By Mark Cotta Vaz

Foreword By J.J. Abrams

Published By Titan Books


www.titanbooks.com


- This review is in a series running this week and next, leading up to the Oscar nominations on Feb. 2nd. The series includes a profile of 8 books relating to past and present films, as well as the filmmaking process. Check out these titles to get a better understanding of what goes into the art of film.

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Star Trek: The Art of the Film Book Review By John C.

J.J. Abrams Star Trek reboot was an incredibly enjoyable science fiction film. Star Trek: The Art of The Film is the perfect photo resource behind the making of the movie for both Trekker’s and casual fans.


If you liked the film, then immerse yourself in the beautiful visuals of this excellent companion book, which includes insights into the visual effects that went into such sequences as the space jump.

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Star Trek: The Art of the Film Book Review By Erin V.

One of my favourite art books of the year, Star Trek: The Art of the Film covers everything from the visual effects, to the costume design, to the set design. The opening section, after the foreword by director J.J. Abrams, has statements from the main new actors in the Star Fleet crew, as well as from Leonard Nemoy. Then the book heads into the very visual centric world of Star Trek. Using mostly pictures, coupled with minimal, but information-rich text, we start to learn the story of making this film really work.


I understand more of the film reading through this book, and caught things that I didn’t when I saw the film. I hope to see a couple of nominations at the Oscars for Star Trek’s art and design processes, especially after seeing it all laid out here.


For anyone into Star Trek, or the process of filmmaking in general, this book is a must-read. It is beautifully put together, right down to the brilliant idea of putting, behind the dust jacket on the front cover, the film’s poster photo of Zachary Quinto, and on the back, one of Leonard Nimoy. It works with the essence of the film, and for that reason, it is one of the coolest book design ideas I’ve ever seen.


Star Trek: The Art of the Film is available in most book stores, as well as from online retailers. It is well worth the price - which is actually quite reasonable in most places.

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To find out more about Star Trek: The Art of the Film, or other books, visit Titan Books’ website here.

James Bond Encyclopedia - Book Review

Released October 6th, 2009

Page count: 336 pages

Size: 10” x 12”


James Bond Enclyclopedia - Revised Edition

(Text) By John Cork and Collin Stutz

Foreword By Michael G. Wilson and Barbara Broccoli

Published By Dorling Kindersley


http://www.dk.com/


- This review is in a series running this week and next, leading up to the Oscar nominations on Feb. 2nd. The series includes a profile of 8 books relating to past and present films, as well as the filmmaking process. Check out these titles to get a better understanding of what goes into the art of film.

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James Bond Encyclopedia Book Review By John C.

Appearing in 21 films, and being portrayed by 6 different actors, James Bond is a cinematic icon.


The James Bond Encyclopedia is the number one print source for any James Bond fan. With info on all the characters and films, this is a must-have source for movie lovers as well. Though it is a bit pricey, this would make a great gift.

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James Bond Encyclopedia Book Review By Erin V.

James Bond is one of those series that has fascinated the film world for ages. The iconic character has been played by 6 actors over 46 years, with each one bringing his own vision of Bond to the screen.


Beautifully compiled by Dorling Kindersley Publishing, this book is an easy to read, visual encyclopedia. This new edition, which is 16 pages longer, has been updated to include pages on Quantum of Solace’s characters, sets, and place in the Bond universe.


For anyone interested in the history of the films, the villains, and Bond himself, this is the book for you. It’s available in most major book stores, as well as online.

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To find out more about the James Bond Encyclopedia, or other books, visit DK's website here.

Tuesday, January 19, 2010

Che: Collectors Edition on DVD Today

Today, E1 Films is releasing both parts of Steven Soderbergh’s epic bio-pic about Ernesto “Che” Gueverra, on DVD and Blu-Ray. This is the first time that both films are available to buy as a set. We reviewed Che: Part 1 - The Argentine and Che: Part 2 - Guerrilla when they originally came out on DVD on August 4th. Our consensus was:


"While it would be to hard to take in one sitting, when both Che films are viewed separately they make for fascinating bio-pics of Ernesto "Che" Gueverra. ***1/2 (Out of 4)"


This set also includes 74-minutes of bonus features, including interviews with the director (Steven Soderbergh), star (Benicio Del Toro) and composer (Alberto Iglesias), as well as one with expert on Che Gueverra, John Lee Anderson. It also includes a featurette about Che.


-John C.

Monday, January 18, 2010

If it Weren’t for Ties to Titanic, Would it Still be the Talk of the Town?

By John C.


Don’t get me wrong, Avatar is an amazing movie in nearly every aspect. But it’s not the best movie of 2009. I loved it and had a great time watching it, but I also saw other, better movies.


People have deemed the film of being racist, the Vatican’s newspaper, L'Osservatore Romano, suggested that it came dangerously close to being “neo-paganism”. It seems for every fan-rave, there’s someone debunking it’s praises.


I get the controversy, I get why people are put-off by the film. If someone told me they didn’t like it, I’d have to say I get why. There are many elements in the film that could, and very rightfully, upset certain groups of people.


But then I also get why people are loving the film. There’s lots to admire, and a great time is sure to be had by the majority of the movie going masses.


The one aspect everyone can agree on? That it looks spectacular. From what I’ve read, nearly everyone agree’s that Avatar is groundbreaking in terms of visual effects. Which it most certainly is. It’s one of the best looking films I’ve ever seen.


When everyone is talking about a film, no matter how good it is, it sometimes just becomes easier to see it’s flaws. But the fans are backlashing against the controversy, and being totally blind to any of the films problems.


It almost just feels like now the Academy will give it the Oscar, because of all the controversy and hype. But Best Picture it is not. There are some elements that could have, and should have, been tweaked to make for an overall, and more evenly, excellent movie.


All controversy aside, Avatar is a far from perfect picture. For all the brilliance of Pandora, for everything that James Cameron thought through, there was an old-school element that just stuck out like a sore thumb.


Some of the dialogue is very cheesy and laughable, especially the fact that the nearly unobtainable mineral is called “Unobtainium”. And really? In 2154, a scientist would be chain-smoking while up in space at a research base containing oxygen tanks? I truly believe that if it does win, in a couple of years people will be laughing at it.


So I guess the bigger question is, if James “Titanic/King of the World” Cameron had not directed Avatar, would it still have been the front runner for Best Picture that it’s ultimately become? Or would it have just been seen as a groundbreaking, incredibly entertaining blockbuster, albeit a very good one.


Like I said, I loved Avatar. At 163 minutes, it never dragged and I thoroughly enjoyed myself. It’s just not perfect, and not the best movie I saw last year. Was it one of the best looking movies I’ve ever seen, and incredibly entertaining? Very much so indeed. Just, in my humble opinion, Best Picture it is not.


Neytiri (Zoë Saldana) and Jake (Sam Worthington) make final preparations for an epic battle that will decide the fate of an entire world. - Photo credit: WETA

Sunday, January 17, 2010

Golden Globes Wrap up

Looks like the HFPA went with the obvious. The Hangover for Comedy/Musical, and Avatar for Best Picture - Drama. Shows how much these choices are influenced by the public. But I’m very glad that both Up and Crazy Heart won both of their awards. Very much deserved. Up in the Air was one of the best screenplays of 2009, so I’m really glad that it was recognized. Lots of good choices, tons of very good films recognized, but they still went with the most popular, obvious choices in the biggest categories. Should be interesting to see if Avatar wins the at least a dozen Oscars I’m predicting it will take home.


-John C.

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Here's what I think. I really would have preferred to have seen (500) Days of Summer take Best Comedy or Musical over The Hangover, and either Up in the Air, or The Hurt Locker take Best Drama over Avatar, but alas, that did not happen. Was kind of surprised to see James Cameron take home Best Director over Kathryn Bigelow. But then not really at all to see Robert Downey Jr. take Best Actor in a Comedy or Musical over Matt Damon - I was guessing between the two.


Still, I was happy with a lot of the choices revealed tonight. The Up in the Air script won over what I had guessed - The Hurt Locker - but I was quite happily surprised with that. I was so glad to see The Weary Kind win for Best Song, and extremely pleased to see Michael Giacchino take home Best Score for Up - one of the most deserving awards of the night, along with Up winning for Best Animated. Hopefully the animated tour-de-force will be at least nominated for Best Picture at the Oscars.


Next, it will be interesting to see how Michael Giacchino fares come the Grammy winner announcements, January 31st, 2010. He is nominated there four times, once for Star Trek, and three times for Up (the two extras for Up are for best arrangement of a piece composed for media, and best individual composition).


-Erin V.

Winners in the 67th Annual Golden Globes

The 67th Annual Golden Globe awards start at 8:00 EST. We will be updating this post periodically throughout the night as the winners in the 14 film categories come in. For now, check out the complete list of nominees, here. The film categories will be added as they are announced, and the winners will be in bold.


1 - Best Performance by an Actress in a Supporting Role in a Motion Picture

Penélope Cruz – Nine

Vera Farmiga – Up In The Air

Anna Kendrick – Up In The Air

Mo'nique – Precious: Based On The Novel Push By Sapphire

Julianne Moore – A Single Man


2 - Best Animated Feature Film

Cloudy With A Chance Of Meatballs

Coraline

Fantastic Mr. Fox

The Princess And The Frog

Up


3 - Best Original Song - Motion Picture

"Cinema Italiano" – Nine

"I See You" – Avatar

"I Want To Come Home" – Everybody's Fine

"The Weary Kind (Theme From Crazy Heart)" – Crazy Heart

"Winter" – Brothers


4 - Best Original Score - Motion Picture

Michael Giacchino - Up

Marvin Hamlisch - The Informant!

James Horner - Avatar

Abel Korzeniowski - A Single Man

Karen O and Carter Burwell - Where The Wild Things Are


5 - Best Performance by an Actress in a Motion Picture - Comedy Or Musical

Sandra Bullock – The Proposal

Marion Cotillard – Nine

Julia Roberts – Duplicity

Meryl Streep – It's Complicated

Meryl Streep – Julie & Julia


6 - Best Screenplay - Motion Picture

Neill Blomkamp, Terri Tatchell - District 9

Mark Boal - The Hurt Locker

Quentin Tarantino - Inglourious Basterds

Nancy Meyers - It's Complicated

Jason Reitman, Sheldon Turner - Up In The Air


7 - Best Foreign Language Film

Baaria (Italy)

Broken Embraces (Spain)

The Maid (La Nana) (Chile)

A Prophet (Un Prophete) (France)

The White Ribbon (Das Weisse Band - Eine Deutsche Kindergeschichte) (Germany)


8 - Best Performance by an Actor In A Supporting Role in a Motion Picture

Matt DamonInvictus

Woody HarrelsonThe Messenger

Christopher PlummerThe Last Station

Stanley TucciThe Lovely Bones

Christoph WaltzInglourious Basterds


Cecil B. DeMille Award

Martin Scorsese


9 - Best Director - Motion Picture

Kathryn BigelowThe Hurt Locker

James CameronAvatar

Clint EastwoodInvictus

Jason ReitmanUp In The Air

Quentin TarantinoInglourious Basterds


10 - Best Motion Picture - Comedy Or Musical

(500) Days Of Summer

The Hangover

It's Complicated

Julie & Julia

Nine


11 - Best Performance by an Actress in a Motion Picture - Drama

Emily Blunt – The Young Victoria

Sandra Bullock – The Blind Side

Helen Mirren – The Last Station

Carey Mulligan – An Education

Gabourey Sidibe – Precious: Based On The Novel Push By Sapphire


12 - Best Performance by an Actor in a Motion Picture - Comedy Or Musical

Matt Damon – The Informant!

Daniel Day-Lewis – Nine

Robert Downey Jr. – Sherlock Holmes

Joseph Gordon-Levitt – (500) Days Of Summer

Michael Stuhlbarg – A Serious Man


13 - Best Performance by an Actor in a Motion Picture - Drama

Jeff Bridges – Crazy Heart

George Clooney – Up In The Air

Colin Firth – A Single Man

Morgan Freeman – Invictus

Tobey Maguire – Brothers


14 - Best Motion Picture - Drama

Avatar

The Hurt Locker

Inglourious Basterds

Precious: Based On The Novel Push By Sapphire

Up In The Air

Predictions for the 67th Annual Golden Globes

EDIT: Those that took home awards are now in bold.


Here are my predictions for what will win at tomorrow night’s Golden Globe awards. Please note that these are mainly just my personal speculation. For Best Picture Drama it's literally between The Hurt Locker and Avatar. Who knows which one will win, but I'm predicting it will be Avatar. Should be interesting tonight to see how many I’ve gotten right.


A. 11/14 correct.


- John C.


Best Motion Picture - Drama

Avatar

Best Performance by an Actress in a Motion Picture - Drama

Sandra Bullock - The Blind Side

Best Performance by an Actor in a Motion Picture - Drama

Jeff Bridges - Crazy Heart

Best Motion Picture - Comedy or Musical

The Hangover

Best Performance by an Actress in a Motion Picture - Comedy or Musical

Meryl Streep - Julie & Julia

Best Performance by an Actor in a Motion Picture - Comedy or Musical

Robert Downey Jr. - Sherlock Holmes

Best Animated Feature Film

Up

Best Foreign Language Film

Broken Embraces (Spain)

Best Performance by an Actress in a Supporting Role in a Motion Picture

Mo’Nique - Precious: Based on the Novel “Push” by Sapphire

Best Performance by an Actor in a Supporting Role in a Motion Picture

Christoph Waltz - Inglourious Basterds

Best Director - Motion Picture

Kathryn Bigelow - The Hurt Locker

Best Screenplay - Motion Picture

Jason Reitman, Sheldon Turner - Up in the Air

Best Original Score - Motion Picture

James Horner - Avatar

Best Original Song - Motion Picture

“The Weary Kind (Theme from Crazy Heart)” - Crazy Heart

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Below, I have put my predictions for tonight's Golden Globe Awards. Most of them are what I think will win, although a few are slightly more what I would hope to see take home the title. Tonight, after the awards, those correctly guessed will be written in bold typeface. We will have live updates tonight in a new post.


A. 5/14 correct.


- Erin V.


Best Motion Picture - Drama

Up In The Air

Best Performance by an Actress in a Motion Picture - Drama

Sandra Bullock - The Blind Side

Best Performance by an Actor in a Motion Picture - Drama

Jeff Bridges - Crazy Heart

Best Motion Picture - Comedy or Musical

(500) Days of Summer

Best Performance by an Actress in a Motion Picture - Comedy or Musical

Meryl Streep - It’s Complicated

Best Performance by an Actor in a Motion Picture - Comedy or Musical

Matt Damon - The Informant!

Best Performance by an Actress in a Supporting Role in a Motion Picture

Anna Kendrick - Up In The Air

Best Performance by an Actor in a Supporting Role in a Motion Picture

Matt Damon - Invictus

Best Animated Feature Film

Up

Best Foreign Language Film

Baaria (Italy)

Best Director - Motion Picture

Kathryn Bigelow - The Hurt Locker

Best Screenplay - Motion Picture

Mark Boal - The Hurt Locker

Best Original Score - Motion Picture

Michael Giacchino - Up

Best Original Song - Motion Picture

The Weary Kind (Theme From Crazy Heart) - Crazy Heart

[Music and lyrics by: Ryan Bingham and T Bone Burnett]

Saturday, January 16, 2010

Interview on the music from The Informant!

By E. Corrado


With the Golden Globes tomorrow, here is an interview with one of the five nominees in the Best Original Score category, Marvin Hamlisch. The interview includes a question about the song in the film, ‘Trust Me’, as well, a question which was answered by both Marvin Hamlisch, as well as the writers, Alan and Marilyn Bergman - this particular answer will be marked as from them. Before that, all questions are answered by Marvin Hamlisch. Enjoy reading!


When did you find out that you would be doing the score for The Informant? I got very busy lately as a concert director for many orchestras, and I’ve been very lucky to work with some great film directors in my lifetime including George Roy Hill, Sidney Pollock, Allan Pakula, and people like that. I got a call from Soderbergh and it was such a great feeling to work with him, and it really started my juices flowing.


What was it like working on this project? It was wonderful! First of all, there hasn’t been a film like The Informant! in a long time. It’s a very black and white film. Most of these films today don’t call a unique range of a score like this. What iced it for me was the desire to have this range. Every note in this score is written out hodgepodge, but every note has a purpose. That was the idea behind the score, and I’m very happy that Steven Soderburgh, who really knows how to use music, was happy with it.


For The Informant!, you received your 8th Golden Globe nomination. What was that like? I am thrilled for this nomination. It truly means a great deal to me.


The Informant! was based on a book of actual events. Have you read it, and did the fact that the story was true affect how you approached the score for the film? No, I did not read the book. But I’ll tell you what I’m very happy about was that I met Mr. Whitacre and his wife at the screening, he told me that what I wrote was very appropriate because that’s how he felt at the time. He’s doing pretty well, he’s the head of a major company, so it’s worked out pretty well for him.


I love the jazz sounds in the score for The Informant! What were some of the instruments that you chose specifically for this score? The film has zany, off-the-wall scoring —you have piccolos, kazoos, you have a bass saxophone, you’ve got a ho-down while he’s taking a polygraph test. So, all of this stuff is really zany—but it’s all part and parcel of the brain of Mark Whitacre. The truth of the matter is, we’ve given the other part of this bipolar person a voice.


How do you think this musical style adds to the finished film? The score of The Informant! is not so much about notes as it is about choices. Because the character is bipolar, I came to believe that the music would have to represent that part of him, that the world didn’t see, but that he inside of himself did. So therefore, as far as the score is concerned, without this theory of being a man in total control, he would respond to the FBI as though they were kind of silly. Therefore, they get kazoos and he gets this happy-go-lucky theme.


Do you play any instruments? No.


How did you start composing music? Well, I was a recording assistant for Funny Girl, so of course Julie Stein meant a lot to me. He’s a great, great man and a wonderful composer. Of course, the first time any composer ever hears Westside Story, that will influence you. But, I think that Julie Stein is one of the big influences on me because I love his music and I love Gypsy and there were a certain amount of shows, particularly earlier in my life, that I just adored, and would just listen to like crazy. On the other hand, one of the films that I always remember seeing—were three films—scoring wise, A Midsummer Night’s Dream, On the Waterfront, and High Noon.


Are there any upcoming projects you can tell me about? Film scores will definitely be in the future, but it has to do with being hired by directors.


Now, I have a question about the song in the film for both you, as well as the writers Alan and Marilyn Bergman...


For you first, what was the writing process like for the song, ‘Trust Me’? Steven Soderbergh wanted to make sure that the music in the film let the audience know the film was funny, and that’s what I wanted in the song ‘Trust Me’. The song was written in a minute and a half for me. Marilyn called me up with the title ‘Trust Me’ I think I wrote the song in literally three minutes, and then called them back up.


And now for Alan and Marilyn Bergman, what was the writing process for ‘Trust Me’ like for you? Well, when we write songs, we discuss them a lot—and in most cases we prefer to have the melodies first. In other cases we write 4 or 5 or 8 bars and I think in the case of ‘Trust Me’ for The Informant!, we wrote a couple of bars; Marvin took it from there. The melody was first, then the lyrics. It was a collaboration.


Thank you all for your time in answering my questions, and good luck this awards season!


The Golden Globes are on tomorrow night in a live telecast on NBC at 5:00pm PST and 8:00pm EST. Watch for my predictions for all categories early tomorrow, as well as live updated coverage of the event tomorrow night.