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Showing posts with label The Great Digital Film Festival. Show all posts
Showing posts with label The Great Digital Film Festival. Show all posts

Monday, February 8, 2010

Thoughts on Close Encounters of the Third Kind at The Great Digital Film Festival in Toronto

Today at the Scotiabank Theatre, as part of The Great Digital Film Festival, they played an HD print of Close Encounters of the Third Kind.


The festival runs until Thursday, so if you haven’t caught a film already, you’ve still got time. Single tickets are only $5, so it’s an offer you can’t refuse.


Below are our thoughts on the special screening of Close Encounters of the Third Kind, held Monday, February 8th at 2:00 PM.

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When you think of classic films to re-visit on the big screen, something from Steven Spielberg is sure to cross your mind. And his classic 1977 science-fiction epic, Close Encounters of The Third Kind, with the spectacular special effects and beautiful John Williams score, made for an amazing theatre experience.


Though perhaps not quite as beloved as E.T., Close Encounters is a downright great movie that still holds up just as well today.


-John C.

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Close Encounters of the Third Kind is one of those films that holds up on -and off - the big screen 30-odd years later. It is far lower-key than perhaps a movie with the same premise would have been today, playing out more as a mystery as to what is happening than anything else. But it manages a good level of suspense throughout, and that’s what works.


But, I really enjoyed the quiet way that this film was made. I noticed a lot of cool editing techniques that aren’t seen as much today it seems. The acting is good, and a lot of the scenes are really fun, such as when Roy (Richard Dreyfuss) is insistent to build a huge sculpture in his house...


In particular about the film, I always liked the premise of communicating through music like they do in the film. It’s a neat idea, and universal too. This is a great film that hopefully a new generation will be interested in seeing. It was recognized in several Oscars categories, including a win for Cinematography and Special Achievement award for Sound Editing, and additional noms for Actress, Art Direction, Director, Visual Effects, Film Editing, Score, and Sound.


-Erin V.

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I don't know why, but this is the first time I had seen this classic all the way through. That being said, I was blown away by this low-key classic. As a musician, I absolutely loved how the aliens communicated to people through music. Close Encounters of the Third Kind still holds up today. The aliens, while mysterious, are never creepy, and like in E.T., are oddly believable, as are the people in this film. Truly one of Spielberg's best.


-Nicole

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I can’t believe I waited this long to check out this movie. Sure, I could have rented it but seeing it on the big screen was a real treat. Classic movies like this one really do work better in theatres. It’s great to see the work of Steven Spielberg and John Williams the way they were intended to be seen. Even though Close Encounters of the Third Kind is from 1977 and the technology in the movie looks a little dated, it still holds up as one of the classics.


-Maureen

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I first saw Close Encounters of the Third Kind about 25 years ago, but I may have slept through it because I hardly remembered how good it was. It still seems fresh despite the many changes in technology since 1977, which can be summarized as a wholesale shift from analog to digital. Now itself in a digital format, the film looks really good on the big screen.


-Tony

Sunday, February 7, 2010

Thoughts on The Wizard of Oz at The Great Digital Film Festival in Toronto

Today at the Scotiabank Theatre, as part of The Great Digital Film Festival, they played an HD print of The Wizard of Oz. All in all, The Great Digital Film Festival is a great event, bringing back older movies for new generations. It runs until Thursday, February 11th.


Below are our thoughts on the special screening of The Wizard of Oz, held Sunday, February 7th at 1:00 PM.

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We’ve all seen The Wizard of Oz numerous times, but it’s great to see it on the big screen, with an appreciative audience. It was also nice to see some younger audience members there, who perhaps aren’t as familier with the 1939 classic.


I noticed little details that I perhaps hadn’t noticed on TV. Because I’ve seen it so many times, I was able to just sit back and admire the masterful craft that went into the film. Though 70 years old, it still holds up today.


-John C.

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As part of the Great Digital Film Festival at the ScotiaBank Toronto this week (Feb. 5th - 11th), we went to see The Wizard of Oz today.


I think almost everyone knows and loves the classic ‘39 film. Getting to see it on the big screen was something really special. It is nice to see films that hold up over 70 years later. To make a film that classic would be any filmmakers dream.


What makes The Wizard of Oz such a classic in most books is the beautiful sets (far more noticeable all of the work put into them, on the big screen), the classic acting, and the story that young and old can relate to. It’s a great film that hopefully years from now, it will still get re-released every now and again for more to enjoy in the manor it was first meant to be - in the theatre.


The Digital Film Festival is a great idea, and I hope to see more films there, and a repeat of the festival in the future.


-Erin V.

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There is nothing like the classics. I really enjoyed seeing The Wizard of Oz on the big screen. Although I have seen The Wizard of Oz numerous times before, seeing it in a theatre was really fun. This is one classic that never gets tiring, no matter how many times you have seen it. On the big screen, I noticed little details that I had missed on TV.


-Nicole

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Seeing The Wizard of Oz in a theatre on a big screen was like seeing it for the first time. It was wonderful. Details that I missed the on previous viewings really stood out this time. For example, the texture of the Scarecrow’s face and the detail in Munchkinland made me realize how much work went into this 1939 classic. It was a real treat re-visitnig this old favourite.


-Maureen

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About 25 years ago, I saw a clean new film print of The Wizard of Oz taken from the original Technicolor masters, which like the obsolescent Kodachrome, used color separation, preserved as 3 black and white prints, one for each primary color. Under ideal conditions at the Ontario Science Centre, it was brilliant. By comparison, the new digital version was a bit grainy, particularly in the first sepia reel. Just as for purists, a CD can never quite match a good analog recording, the digital version did not seem quite as good as the film I remembered, but I would have to see them side by side to be sure. At any rate, the digital version would be a lot cheaper to reproduce, and therefore more accessible. Even after dozens of viewings, going back to black and white TV, through tape, DVD and (not yet for me) BluRay, everyone should have a chance to see The Wizard of Oz as it was originally shown–in a theatre on a big screen. We happened to sit a bit closer than usual, which was not a problem since it is not a widescreen film, and had the advantage of allowing us to see details usually missed at home, such as the bird in the Oz background, perhaps a snipe.


-Tony

Wednesday, February 3, 2010

Great Digital Film Festival: February 5th - 11th, 2010

From February 5th to February 11th, the Scotiabank theatre in Toronto will be hosting The Great Digital Film Festival. There will be 20 classic films presented in new digital prints. Tickets are just $5, and you can stay for a double-bill for $9. It’s a great deal.


The films range from The Wizard of Oz to The Shining. Four of the films that are screening are Best Picture winners. The Godfather (1972), The Godfather Part II (1974), Amadeus (1984), and The Silence of the Lambs (1991).


Get all the details on this amazing event here. Stay tuned for our coverage of some of the films.


-John C.